October 11, 2010

Who’s Looking at You In the Mirror?

Posted in Artwork, Child Alters, DID Education, DID/MPD, Dissociative Identity Disorder, Internal Communication, Therapy and Counseling, Therapy Homework Ideas, Trauma, trauma therapist tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , at 4:10 pm by Kathy Broady


The following drawing is a DID survivor’s response to my question:  Can you picture dissociative identity disorder?

*** If you are a dissociative trauma survivor, please read the following article with caution.  Some of the topics presented in this blog article could create an emotional reaction from your internal system as several difficult but important topics are mentioned.  Please be sure to tend carefully to your own safety and stability. ***

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This drawing is helpful to understand dissociation – the very picture itself portrays how it feels to have dissociative identity disorder (DID / MPD).  Assuming this drawing represents one actual person, the plural, divided-self experiences are visually obvious.

In addition to the whole of the picture, I’ve picked out a variety of elements that could be significant to the dissociative system being pictured.  I will include some of the thoughts and questions that come to mind as I look at the different areas of this drawing.  A lot of helpful therapeutic information can surface by asking the following questions to the survivor artist.  Many of these questions could be asked to any other dissociative survivor in terms of exploring their own internal systems.

1. The blank face in the mirror

  • Why is this a blank slate?
  • Is there ever a time when “no one” is there?  What is that like?
  • Does the face place not belong to anyone in specific?
  • How often does this person switch?
  • Does anyone claim the face?
  • Who does the actual face belong to?
  • When you switch, are there visible differences in the face?
  • Is there a specific leader to this dissociative system?  If so, where is this person pictured?
  • How often does this dissociative survivor feel like she is living outside of her body or separated from her body?

2. Notice that there are other inside system parts visible in the overall picture –

  • Some parts are in the front
  • Some parts are in the back – what is the significance of these different locations?
  • Some parts are unknown (blank spots)
  • Some parts are pictured standing alone
  • Some parts are closely connected to someone else
  • Some parts are older, likely adult in age
  • Some parts pictured are very young
  • Some parts pictured are middle-aged children
  • Some parts pictures appear to be teenagers

Additional Questions:

  • Can you identify any of these insiders as specific individuals?
  • Who talks to who?
  • Do the insiders on the back communicate with or know about the insiders located on the artist’s paint palette?
  • Since we are seeing only a small portion of the actual body, are there other parts located elsewhere that are not pictured in this drawing?
  • If there are other system insiders that are not pictured in this drawing, would you consider drawing another picture that does include them?
  • Do the two main figures in this picture represent two distinctly different systems?
  • Are you aware of what happens when the insiders “from the back” are out?
  • Do you experience more time loss with the parts that are connected to the body but not visible because they are on the back or with the parts that you can see, but are more separate and pictured on the paint palette?

3. The hair and the clothes are different in the mirror — ever so slightly — but still different.  Notice the different hairstyles / clothing for the different insiders – a clue for who is out might be related to the actual hairstyle / clothing they are wearing that day.

4. What is the thumb covering? I would need to ask the artist to know what this represents for sure, but several possibilities do come to mind.

  • Is this a dark area of the internal system that is trying to hide?
  • Is this an area that represents difficult feelings like shame, pain, anger, or any areas of life that may not be comfortable to look at?
  • Using the metaphor of the paint palette, the dark spot might indicate a hole in the palette.  Does it have any other significance than that?  Are there “holes” in your system?  To where does that hole lead?

5.  Mirrors
As much as one figure appears to be the reflection in the mirror, is the mirror actually the doorway for an entirely different system than the parts outside of the mirror?  It is not uncommon for mirrors to be part of the internal world / internal landscape of a dissociative survivor.  These mirrors are very significant and will require specific therapeutic attention.

6.   Circles
Some dissociative survivors speak about circles in their life, and circles can represent specific relationships, and / or being “in the circle” can have layers of meaning.

  • Is there any significance or meaning to the circle designs included in this drawing?
  • Do the insiders stay separated in their circle “bubbles” or are they allowed to mingle with each other?

7.  Colors
Since the artist of this drawing used the paint palette metaphor to show their system, do colors have an important meaning to their system?  Are certain parts associated with certain colors?  For example, are there parts from the “green layer” or are there parts associated together as part of the “blue group”, etc.  If so, what do the different colors mean, and what are the common characteristics or job roles of the insiders associated with each color?

8.  Box Frame
What is the relevance of the square / rectangle mirror frame?  Does seeing a main figure inside the box frame have any significance?   Are any of your insiders tucked away in boxes?  If your system insiders are not in boxes, do you have other issues boxed up?

9.  Connection to the Body
One of the strongest themes in this picture relates to the way the different parts of the system appear to be very separate from the body.

  • How often is this person in a numb, dissociated, depersonalized, or out-of-body state?
  • When the parts from the paint palette are “in the body”, can the artist feel that they are present? Or do these parts continue to have a separated distance?
  • Does the body feel the same or different when the mirror-reflection group of insiders is present in the body?

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I have found this drawing to be rich in information that would be useful when discussing the dissociative issues experienced by this trauma survivor.  There is much to learn about this survivor-system and asking these questions is just the beginning.

What do you see in this picture?
What else would you wonder about?

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By:

Kathy Broady LCSW

Copyright © 2008-2010 Kathy Broady LCSW and Discussing Dissociation

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